Acoustic enhancement

We are ready to see why certain kinds of constriction gestures are often performed together.

Recall that a North American [r] usually involves three different constriction gestures:

  1. a retroflex approximant
  2. a pharyngeal approximant
  3. lip rounding

Recall that the frequency of each formant is determined by one of the possible standing waves in the tube:

Handel 2-15

Constricting the tube will move the frequencies of the formants:

There are three maximum points in the standing wave responsible for F3, the third formant. The typical North American [r] puts a constriction at all three points:

constrictions that will lower F3

The main acoustic property of English [r] is a very low F3. Retroflex approximants, pharyngeal approximants, and lip rounding are so often performed simultaneously because all three have the same desired acoustic effect -- lowering F3. You can often get a reasonable approximation of an [r] by doing only the lip rounding and/or the pharyngeal approximant:

spectrograms of {rabbit} and {wabbit}

Lip rounding and backness

We've seen that lip rounding will lower F3. This is useful in distinguishing vowels in languages like French, which have both rounded and unrounded front vowels, e.g., [y] and [i].

In fact, lip rounding will lower every formant, since all possible standing waves have a maximum point at the opening of the tube. (Recall that the formant transitions that allow you to identify a bilabial stop during the first few split-seconds of the following vowel also involve lowerings of both F1 and F2.)

If you are pronouncing a back vowel, it will have a fairly low F2. If you round your lips at the same time, you will lower F2 even more. This is why it is nearly universal for languages to have rounded back vowels and unrounded front vowels. Lip rounding exaggerates the acoustic effect of backness, and helps make the back vowels more easily distinguishable from front vowels.


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