c.v.
PUBLISHED BOOKS:
- Authored: The Second World War in the Twenty-First-Century Museum: From Memory, Narrative, and Experience to Experientiality. Media and Cultural Memory 26. Berlin / Boston: De Gruyter, 2020. 368 pp. (xiv+354).
-Abstract & ToC in English (as PDF file)
-Prologue (as PDF file)
-Introduction (chapter 1, as PDF file)
-Link to Open Access EBook as EPUB
-Link to Open Access EBook as PDF
-Link to book on www.amazon.com
-Link to book on www.amazon.de
See also https://blog.degruyter.com/world-war-ii-museums-and-the-battle-for-memory-75-years-later/
- Co-edited with Daniel Fulda in collaboration with Elena Agazzi. Romanhaftes Erzählen von Geschichte: Vergegenwärtigte Vergangenheiten im beginnenden 21. Jahrhundert (Novelistic Narration of History: Pasts Present in the Early 21st Century). Studien und Texte zur Sozialgeschichte der Literatur 148. Berlin: de Gruyter, 2019. 519 pp. ( vii + 502 pp.).
-Table of Contents (as PDF file)
-Link to book on www.amazon.de
- Co-edited with Jörg Echternkamp. Views of Violence: Representing the Second World War in German and European Museums and Memorials. Spektrum: Publications from the German Studies Association 19, New York: Berghahn Books, 2019. 283 pages.
-Table of Contents
-Introduction (as PDF file)
-Link to book on www.amazon.com
- Co-edited with Elena Agazzi and Daniel Fulda. Zeitreisen. Historische Romane im neuen Jahrtausend. In: Akten des XIII. Internationalen Germanistenkongresses Shanghai 2015: Germanistik zwischen Tradition und Innovation. Ed.. Jianhua Zhu, Jin Zhao und Michael Szurawitzki. Vol. 12. Frankfurt a.M. u.a.: Peter Lang, 2018 (= Publikationen der Internationalen Vereinigung für Germanistik 31). 15-151.
- Co-edited with Susanne Vees-Gulani. Special Issue of Seminar: A Journal of Germanic Studies. 50.1 (February 2014), Representations of War Experiences in and on Germany. 138 pp. (Electronic access available through Project Muse, Ebsco Host, and University of Toronto Press).
- Co-edited with Elena Baraban and Adam Muller: Fighting Words and Images: Representing War across the Discipline. Toronto: University of Toronto Press, 2012.
-Abstract and Table of Contents
-Link to book on www.amazon.ca
-Link to book on www.amazon.com
- Authored: Performative Geschichtsschreibung: Forster, Herder, Schiller, Archenholz und die Brüder Schlegel (Performative Historiography: Forster, Herder, Schiller, Archenholz, and the Schlegel Brothers). Series Hermaea 125. Berlin / Boston: de Gruyter, 2011. 396 pp. (xii + 384)
-Abstract in English and German
-Table of Contents and pages 1-7 as pdf-file
-Link to book on www.amazon.de
- Co-edited with Christer Petersen: Zeichen des Krieges in Literatur, Film und den Medien. Vol. II. Ideologisierungen und Entideologisierungen (Signs of War in Literature, Film, and the Media: Ideologization and De-Ideologization). Kiel: Ludwig, 2006. 299 pp.
- Co-edited with Stefan Deines and Ansgar Nünning: Historisierte Subjekte - Subjektivierte Historie: Zur Verfügbarkeit und Unverfügbarkeit von Geschichte (Historicized Subjects – Subjectivized History. About the Availability and Non-Availability of History). Berlin / New York: de Gruyter, 2003.
- Authored: Theorie lyrischen Ausdrucks: Das “unmarkierte Zwischen” in Gedichten von Brentano, Eichendorff, Trakl und Rilke (Theory of Lyrical Expression: The “Unmarked In-Between” in Poems by Brentano, Eichendorff, Trakl and Rilke). Munich: Fink, 2001. (Abstract)
- Co-edited with Stefan Willer: Das Denken der Sprache und die Performanz des Literarischen um 1800 (The Thinking of Language and the Performance of the Literary around 1800). Ser. Stiftung für Romantikforschung 10. Eds. Stephan Jaeger & Stefan Willer. Würzburg: Königshausen & Neumann, 2000.
RESEARCH INTERESTS AND CURRENT RESEARCH
- Research Interests: Museum narratives and experience; Relations between literature and historiography/history; poetics and narratology of historical writing; representations of war and Holocaust; contemporary historical narrative in museums, historiography, literature, and film; human rights research;
theory and history of poetry, theories of subjectivity. German and British Romanticism;, European Modernism; literary and cultural theory (particularly narratology, theory of aesthetic response, hermeneutics, poststructuralism, discourse theory, performance theory, cultural memory, cognitive theory) (List of Publications).
- My current research concentrates on further development of the concept of “experientiality” for the analysis of museums, as developed in my 2020 monograph The Second World War in the Twenty-First-Century Museum: From Memory, Narrative, and Experience to Experientiality. This includes 1) analyzing the relationship between war/violence, fiction and children installations in historical museums; 2) the potential of art in war and history museums; 3) a qualitative visitor analysis of war simulations in contemporary museum exhibitions; 4) analyzing the potential of the concept of ‘experientiality’ for exhibitions in Holocaust (Memorial) Museums; 5) analyzing newest Second World War Exhibitions.
- Establishment of new book series “Museums and Narrative” (edited together with Kerstin Barndt, University of Michigan) with De Gruyter. This series approaches the museum as a narrative medium from literary, memory, media, historiographical, anthropological, and cultural studies perspectives. It invites manuscripts that examine how museums and exhibitions devoted to historical subject matter, heritage and memorial sites, as well as museums of ideas and utopias (institutions that engage in story-making and representations of the past, present, and future) represent temporal structures and processes.
Call for manuscripts for new scholarly book series: https://blog.degruyter.com/call-for-manuscripts-museums-and-narrative/ (pdf file of CfM).
- Further Information on Current Research
TEACHING INTERESTS AND EXPERIENCE
- Teaching Interests: undergraduate and graduate classes in German Literature, Culture, and Language (all levels); Methodology, Literary and Cultural Theory, German Enlightenment, Classicism, and Romanticism, Modernism, contemporary German literature (especially History in Literature), Representations of War and of the Holocaust, Museums and Cultural Memory. Love in German Culture. Stories of Espionage, Stories of Migration
- Teaching Experience: seminars and lectures about German and European literature, history, culture, and language in Bielefeld (Germany), Gießen (Germany), Szczecin (Poland), Madison (U.S.), Boulder (U.S.), and in Winnipeg (Canada); as well as interdisciplinary summer courses at the Deutsche SchülerAkademie (List of Teaching Experience).
PHD (Dr. phil.)
at the University of Bielefeld (Germany) in December 1999 on the theory of lyrical expression and subjectivity in Romantic and modern poetry (esp. on Brentano, Eichendorff, Trakl, and Rilke) (Abstract) (c.v.).
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